A note from NESCom President Thom Johnston:
The Nite Show with Danny Cashman has become a cult classic production that airs weekly across Maine, and in parts of New Hampshire and the Canadian Maritimes. In the tradition of Johnny Carson and David Letterman, Danny Cashman and his merry band of sycophants create a half hour broadcast every week that is a smorgasbord of talk and entertainment. The host and his sidekick Joe Kennedy, are a self-effacing duo who are, much like Carson and McMahon, at their best when things go astray. The Jump City Jazz Band, made up of of talented musicians, serves as the house band. That alone is worth the price of admission (which is free). While the Friday and Saturday night broadcasts on WABI, WAGM and WPXT have been polished somewhat in post-production, the best viewing is to attend a live session. Typically, three shows are produced in one session, but not necessarily in seriatim, which makes the live event a most interesting evening. Depending on the location where The Nite Show is recording, you can order a bowl of chili, a glass of wine or a bottle of beer as you play the role of a live audience
None of this would be possible without a strong partnership, which includes WABI and the New England School of Communications. WABI is the platform which carries and distributes the Nite Show. The students and faculty of NESCom provide all of the production, which is a great resume builder for them. The most recent session took place at the Penobscot Theater in Bangor this past Wednesday night and was well attended, probably because of the venue and because of appearances by Noel Paul Stookey and The Rustic Overtones. Watching a show under construction adds to the entertainment, and you don’t have to go to New York or LA to see how this is done. You can catch mistakes, watch retakes, see how the present becomes the future and enjoy the band and guests as they offer more to the live audience than you’ll get in a 30 minute episode (distilled to 22 after commercials).
For those who are discerning and interested in video production, I commend watching the NESCom students in action with video cameras, microphones, cables, and consoles. On the audio side, sound is simultaneously being mixed for musician monitors, broadcast mix, house audio and multi-track recording. Regarding video, you’ll see multiple camera positions, a hand-held fig rig, an occasional mini-dolly and a flypack switcher. All of this activity is fascinating dance of technology and talent constrained by the clock.
If you’re interested in attending the next recording session, keep an eye on TheNiteShow website for upcoming tapings.
New England School of Communications